There was a time not so long ago — late 2010, early 2011 — when Martin Kaymer was, by a considerable margin, the most potent force in tournament golf.
The German’s form in the months succeeding that major championship breakthrough at Whistling Straits, itself a veritable masterclass in clutch putting and high-stakes shot-making, suggested he might possess more than the raw material necessary to fashion a career at the highest level.
In his equanimity and ruthlessness there were hints of something greater — call them intangibles — perhaps even something genuinely great.
And then… a prolonged spell of mediocrity punctuated only by the occasional two-round cameo and infrequent flashes of brilliance (his final-round 63 to claim last year’s HSBC Champions).
Kaymer himself, still only 27, attributes his inconsistency to a decision he took in the wake of the 2011 Masters Tournament.
“Well, the problem is… if you know or if you’re leaving a golf course knowing ‑‑ not only knowing but believing — you can’t do well there, even though it’s maybe not the right thing to think. But every time I left Augusta, I was very frustrated, not because I had just missed the cut but the way I missed the cut, because I had no idea how it feels to hit a draw.
“Obviously I know you have to hit it inside‑outside with a shut club face, yes, okay, I’ve read that many times, but I didn’t know how it feels.”
“And I needed to create that feeling. I needed to learn what that feel means or how I can feel to hit a draw. So at that stage I was 25, and I thought I had a lot of years ahead of me, and I don’t want to live with that just hitting a fade my entire life and not knowing what could have been if I would have changed.”
The technical changes wrought by Kaymer and his coach, Gunther Kessler, in the wake of that decision destabilised what had been a carefully calibibrated approach to the game.
The German had only ever known one shot — a low, boring fade — and had swung with the confidence of a player capable of discounting an entire side of the golf course. Suddenly, there was a possibility of missing left.
“And that’s why it took me a long time… I wasn’t expecting that it would take a year and a half, almost two years to learn to hit that shot, but now I know how to hit a draw. It took me the last six months… to get back to my fade.
“But the feel of the fade was just somewhere sleeping in me. I just needed to wake it up again. I think now it’s awake, and the draw is added to my repertoire, so I’m a more complete player now. It’s still a little shaky, but it just has to come together and I’m ready to go.”
Kaymer, who describes having felt “a click” in his swing en route to a fifth-place finish at the Italian Open, considers himself better equipped to influence events this week than at Celtic Manor.
“Two years ago I played really well the weeks and months before, and I was expecting so much from myself. I was expecting to play even better in the Ryder Cup. I was almost tight; I couldn’t really loosen up and relax and enjoy the Ryder Cup in Europe. Now I’m a little bit more calm inside, which means, I think, you can really enjoy certain moments a lot more if you are not focusing on being normal, because in Wales I was just trying too hard. I couldn’t achieve my potential, my highest potential.”
Kaymer partnered Nicolas Colsaerts in practice yesterday.
Conor Nagle










is he still dating the girl from “Big Break”
that girl was too good. Got bored with such a lonly wolf………he has no emotions, and she was full of them